Philadelphia Public Art @philart.net

Nearby 39.949650,-75.146525

List View | Map View

Ghost Structures
Venturi, Scott Brown (and Rauch), 1976
* Representation of houses belonging to Benjamin Franklin
* big buildings
* At the time this piece was built the firm was named Venturi and Rauch.
* Franklin Court. Between 3nd and 4th, Market and Chestnut, entrances on Market and Chestnut.
* 39.949650,-75.146525 [map] [nearby]
* On the Old City tour
* See also:
+associationforpublicart.org's page for this piece
+wikipedia.org's Robert Venturi page
+wikipedia.org's Denise Scott Brown page
+wikipedia.org's Benjamin Franklin page
+ushistory.org's Franklin Court tour page

The Triangle Fire
Frank Bramblett, 1983
* fire, clothing manufacturing tools
* Permanently in shadow and not easy to see.
* South wall of the overhang. East side of 4th, North of Chestnut, behind the security grate.
* 39.949475,-75.147250 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Labor
* See also:
+wikipedia.org's Triangle Shirtwaist Factory Fire page
+frankbramblett.com

Thirteen into One
Harold Kimmelman, 1977
* abstract idea representation
* Fenced garden, East of 4th, North of Market. Visible through the fence at the East end next to the walkway.
* 39.950825,-75.146300 [map] [nearby]
* On the Old City tour
* See also:
+hksculpt.com

The Arsenal of Independence
Robert A. M. Stern Architects, 2017
* Reference to Benjamin Flower
* cannon barrels, sign
* inscription: (partial)
Imagine this neighborhood filled with the sights, sounds, and smells of war. Philadelphia's tradesmen and women produced muskets, cannon, ammunition, wagons, ships, uniforms and flags that helped to win American Independence. In 1775, hat maker Benjamin Flower lived just a block from where you are standing. He joined the Revolutionary cause and became Commissary General of Military Stores for the Continental Army.
* in front of the Museum of the American Revolution. Southeast Corner, 3rd and Chestnut.
* 39.948525,-75.145935 [map] [nearby]
* On the Old City tour
* Exhibits: War
* See also:
+ramsa.com
+Orders to Benjamin Flower from George Washington on founders.archives.gov
+amrevmuseum.org

Eagle
Claudius F. Le Grand and Sons, 1797
* eagle, food, shield and arrows, olive branch
* Pediment. First Bank of the United States. West side of 3rd between Chestnut and Walnut.
* 39.948050,-75.146250 [map] [nearby]
* On the Old City tour
* See also:
+philadelphiabuildings.org's First Bank of the United States page

Eagle
James Kiryakakis, Harvey Yellin, 1975 (approximate)
* small eagle, arrows, olive branch
* Gate. South side of the First Bank of the United States. West side of 3rd between Chestnut and Walnut.
* 39.947900,-75.146350 [map] [nearby]
* On the Old City tour
* See also:
+nps.gov page with a picture and brief paragraph about this piece
+denverpost.com obituary for James Kiryadakis
+findagrave.com's Harvey Z. Yellin page
+philadelphiabuildings.org's First Bank of the United States page

Washington Crossing the Delaware
Guangxi Qihe Bronze Studio, Emanuel Leutze, Dr. QiongZhao (Ellen) Schicktanz, 2017 (installed)
* Full figure relief of George Washington
* small people, mostly seated, some standing, hats, weapons, flag, boat with oars, clouds, horses
* inscription: (partial)
This bronze sculpture replicates the famous painting, Washington Crossing the Delaware by Emanuel Leutze. It depicts Gen. George Washington leading the Continental Army on a dangerous nighttime crossing of the Delaware River on December 25, 1776 to attack Hessian troops stationed at Trenton. His attack was a final, desperate effort to gain a victory after months of defeats had reduced the Army to a small, exhausted, and demoralized force. Washington's success at Trenton reinvigorated the American cause and kept the Revolution alive.
The painting captures the drama, danger, and desperation of the river crossing, even though a number of details are historically inaccurate, such as the type of boat. The artist, Emanuel Luenze, grew up and was trained in Philadelphia, but created the painting in 1850 after he returned to his native Germany. The painting was a sensation when it was displayed in America the following year.
The sculpture is a donation from Dr. QiongZhao (Ellen) Schicktanz, a naturalized Asian-American artist, in gratitude for her life as an American Citizen.
* North wall. Museum of the American Revolution. South side of Chestnut, East of 3rd.
* 39.948495,-75.145650 [map] [nearby]
* On the Old City tour
* Exhibits: War
* See also:
+amrevmuseum.org's page for this piece and Declaration of Independence
+wikipedia.org's page for the original painting
+wikipedia.org's Emanuel Leutze page
+americangoddessartmuseum.com
+wikipedia.org's George Washington page
+amrevmuseum.org

Dedicated to the American Secretary
Costantino Nivola, 1970
* abstract standing person
* Moved slightly Northeast some time before June 20, 2014, from back against the wall of the building as in the second picture, to up against the sidewalk railing as in the first picture.
* Plaza. South side of Market, between 4th and 5th.
* 39.950250,-75.148000 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Moved, Labor
* See also:
+wikipedia.org's Costantino Nivola page
+publicartarchive.org's Constantino Nivola page

Gift of the Winds
Joseph C. Bailey, 1978
* abstract form
* Was on the Northeast corner of 5th and Market. Moved between November 2020 and July 2021. The first picture was taken while the area around the original location was being rebuilt. The rest of the pictures are from the new location.
* West of 4th, South of the walkway that runs between 4th and 5th North of Market.
* 39.950925,-75.147400 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Moved
* See also:
+Max Buten's first picture of this piece
+Max Buten's second picture of this piece
+associationforpublicart.org's page for this piece
+askart.com's Joseph C. Bailey page

The Seed
Christopher T. Ray, 1976
* big seed
* inscription:
Source: Deuteronomy 8:7-8:11
"...for the Lord thy God bringeth thee into a good land..."
The Seed symbolizes the generation of creative life in America, the Good Land which has made us welcome. In its roots exist the reminder of our origins and traditions. In the leaves are the elements of continuing growth. From the pod and its emerging flowr comes the promise of the future.
* Entrance. Mikveh Israel. East Side of 5th Street, North of Market, along the walkway between 4th and 5th..
* 39.951175,-75.147550 [map] [nearby]
* On the Independence Mall tour
* See also:
+artist's page for this piece
+chrisray.com
+mikvehisrael.org

Farmers and Mechanics Bank
William Struthers, 1855
* lion heads, sheep heads
* Struthers is listed as the mason for the building
* Front wall. North side of Chestnut, East of 5th.
* 39.949025,-75.148515 [map] [nearby]
* On the Independence Mall tour
* See also:
+philadelphiabuildings.org's page for the building
+philadelphiabuildings.org page for William Struthers

Jonathan Netanyahu Memorial
Buky Schwartz, 1986
* Memorial to Jonathan Netanyahu
* abstract forms
* inscription:
Entebbe, Jonathan Netanyahu, July 4, 1976.
They were swifter than eagles, they were faster than lions. The bow of Jonathan turned not back. II Samuel 1.22,23
Jonathan Netanyahu, 1946-1976
* Outside Mikveh Israel. East Side of 5th Street, North of Market, along the walkway between 4th and 5th.
* 39.951115,-75.147760 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Religious, War
* See also:
+Max Buten's picture of this piece
+bukyschwartz.com
+wikipedia.org's Jonathan Netanyahu page
+mikvehisrael.org

Religious Liberty
Moses Jacob Ezekiel, 1876
* big standing people, liberty cap, eagle, serpent, flame, the Constitution
* Was half a block North on 5th. Moved late 2010. The first two pictures are from the current location. The rest are from the previous location.
* inscription:
Plinth:
Dedicated to the people of the United States by the order B'nai B'rith and Israelites of America in commemoration of the centennial anniversary of American Independence.
Plaque:
Commissioned by B'nai B'rith for the United States Centenial, "Religious Liberty" was dedicated in Fairmount Park on Thanksgiving Day in 1876.
Carved in Rome from a single block of carrara marble, the statue was executed by Sir Moses Ezekiel, an American Jewish sculptor.
The monument was rededicated by B'nai B'rith International for this nation's Bicentennial in 1976.
The allegorical group represents liberty protecting religious freedom. The female figure wears the liberty cap bordered by thirteen stars for each of the original American colonies. In her left hand, she holds the constitution of the United States the legal document by which freedom is guaranteed to all citizens.
Religion is personified by a youth standing beside the figure of Liberty, whose outstretched arm extends over him protectively. His right hand reaches toward her, while in his left, he holds the inextinguishable flame of faith.
At the base of the group is an American eagle crushing a serpent in its talons, signifying the triumph of American democracy over the tyranny of intolerance and oppression.
The monument was relocated to Independence Mall and rededicated on May 4, 1986 in an historic joint venture between B'nai B'rith International and the National Museum of American Jewish History.
From this site, the statue proclaims in harmony with the Liberty Bell only steps away, a resounding message of religious liberty for all peoples.
* In front of the Weitzman National Museum of American Jewish History. Southeast corner, 5th and Market.
* 39.950350,-75.148825 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Religious, Moved
* See also:
+Max Buten's first picture of this piece
+Max Buten's second picture of this piece
+Max Buten's third picture of this piece
+associationforpublicart.org's page for this piece
+jewishvirtuallibrary.org's Moses Jacob Ezekiel page
+theweitzman.org

OY/YO
Deborah Kass, 2022
* idea
* Officially temporarily installed for a year, hopefully longer.
* In front of the Weitzman National Museum of American Jewish History. Southeast corner, 5th and Market.
* 39.950400,-75.148840 [map] [nearby]
* On the Independence Mall tour
* See also:
+streetsdept.com article about the installation of this piece
+deborahkass.com
+theweitzman.org

The Signer
EvAngelos W. Frudakis, 1980
* standing person, scroll and quill
* 5th and Chestnut, Southeast corner.
* 39.948825,-75.149000 [map] [nearby]
* On the Independence Mall tour
* See also:
+Mark Jones' picture of this piece on flickr.com
+inquirer.com obituary for EvAngelos Frudakis
+sculptorewfrudakis.com

Beacon
FKB, Local Projects, 2021
* big abstract ideas
* inscription: FAITH LIBERTY JUSTICE
* Rising through the roof. The former Faith and Liberty Discovery Center. East side of 5th, North of Market.
* 39.951085,-75.148575 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Religious
* See also:
+localprojects.com page for this piece
+amaricanbible.org article about this piece
+fkb.studio
+localprojects.com

Commodore Uriah Phillips Levy
Gregory Pototsky, 2011
* Statue of, in memory of: Uriah Phillips Levy and James A. Zimble
* small standing person, sword, paper, Star of David and U.S. Navy logo
* inscription:
April 22, 1792 - March 22, 1862
Nissan 30, 5552 - Adar II 20, 5622
"I am an American, a sailor, and a Jew."
Born in Philadelphia in 1792, Uriah Phillips Levy was a fifth generation American. According to family stories, he left for sea at ten years old, returning to celebrate his bar mitzvah here at Congregation Mikveh Israel in 1805. He served with distinction in the U.S. Navy in the War of 1812, and became the first Jewish U.S. Navy Commodore, a rank equivalent to Admiral today.
During his fifty-year naval career, Levy was court martialed six times and killed a man in a duel - all incidents related to rampant anti-Semitism. He was dismissed twice from the U.S. Navy, but was reinstated by Presidents James Monroe and John Tyler. He went on to command the Mediterranean Fleet and was appointed by President Abraham Lincoln to the Navy Court Martial Board during the Civil War. Levy played a key role in helping to repeal the flogging of sailors, making the U.S. Navy the first military organization in the world to abolish physical punishment.
Levy greatly admired President Thomas Jefferson and the Bill of Rights he crafted, which safeguarded religious liberties for all Americans. In 1832, he commissioned a statue of Jefferson, which sits in the U.S. Capitol today. In 1834, Levy purchased Monticello, Jefferson's home near Charlottesville, Virginia, which he repaired, restored, and preserved for future generations.
The World War II destroyer escort USS Levy (DE-162) was named in his honor, as were the Uriah P. Levy Jewish Chapel at the Norfolk Naval Base in Virginia, and the Commodore Uriah P. Levy Center and Jewish Chapel at the United States Naval Academy in Annapolis, Maryland. Levy is buried at the Beth Olom Cemetery in Queens, New York.
Given with love of God and Country
in memory of Vice Admiral James A. Zimble, MC USN Ret. (1933-2011)
Beloved 30th Surgeon General of the U.S. Navy
Dedicated December 16, 2011, Kislev 20, 5772
Rabbi Aaron Landes, Rear Admiral CHC USN Ret.
Captain Gary "Yuri" Tabach, USN Ret.
Joshua H. Landes
* West side of Mikveh Israel. East side of 5th, North of Market.
* 39.951325,-75.148400 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Religious, War
* See also:
+artist's page for this piece
+pototsky.ru
+wikipedia.org's Uriah P. Levy page
+wikipedia.org's James A, Zimble page
+mikvehisrael.org

United States Custom House
Ritter and Shay (Architects), 1932
* people sitting and kneeling, face, farming, navigation, and artist tools, ship, buildings, rope, ox and bison, staff, food, birds, globe, plants, dolphin border
* Whole building. South side of Chestnut, West of 2nd.
* 39.948300,-75.144185 [map] [nearby]
* On the Penn's Landing tour
* See also:
+philadelphiabuildings.org's page for the building
+philadelphiabuildings.org's Ritter and Shay page

Independence Hall History
* small outlines of buildings, text (historical marker)
* outlines and histories of Independence Hall, Old City Hall, and Congress Hall. There are two of these: one nearer 5th and one nearer 6th. This is the one closer to 5th.
* Carved into the sidewalk. Across the street from Independence Hall. North side of Chestnut between 5th and 6th.
* 39.949160,-75.149765 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Unidentified Artists
* See also:
+wikipedia.org's Independence Hall page

Benjamin Franklin
Francesco Lazzarini, 1789 (original)
* Statue of Benjamin Franklin
* standing person, staff, books
* Replica of Benjamin Franklin
* Pediment. Library Hall. 105 S. 5th St, West side of 5th, South of Chestnut.
* 39.948425,-75.149190 [map] [nearby]
* On the Independence Mall tour
* See also:
+associationforpublicart.org's page for this piece
+wikipedia.org's Benjamin Franklin page
+ushistory.org's history of the Library Company

Robert Morris
Paul Wayland Bartlett, 1925
* Statue of Robert Morris
* standing person, hat, cane, papers
* inscription: Patriot, Statesman, Financier, 1734-1806
* North side of Walnut between 4th and 5th.
* 39.947700,-75.148600 [map] [nearby]
* On the Washington Square tour
* Exhibits: Moved
* See also:
+phillyhistory.org picture of this piece, probably from in front of the Second Bank
+wikipedia.org's Paul Wayland Bartlett page
+wikipedia.org's Robert Morris page

George Washington
Joseph Alexis Bailly, 1869
* Statue of George Washington
* standing person, book, cane
* behind the Independence Hall security perimeter, but visible across Chestnut. The first two pictures are from a print taken before the perimeter was established.
* In front of Independence Hall. South side of Chestnut between 5th and 6th.
* 39.949050,-75.150000 [map] [nearby]
* On the Independence Mall tour
* See also:
+phillyhistory.org 1913 picture of this piece
+phillyhistory.org 1929 picture of this piece
+wikipedia.org's Joseph Alexis Bailly page
+wikipedia.org's George Washington page
+wikipedia.org's Independence Hall page

Memorial to Enslaved People of African Descent in the United States of America
Emanuel Kelly (Architect), 2010
* Quotes from Maya Angelou, Frederick Douglass, W.E.B. Du Bois, Frances Ellen Watkins Harper and Barack Obama
* enclosed space, ideas
* This entry is focused on the part of "The President’s House: Freedom and Slavery in the Making of a New Nation" that does not seem to have an official name. The plaque simply labels it "Memorial." The National Park Service web site calls it "a memorial to enslaved Africans." Avenging the Ancestors calls it the "Slavery Memorial.". It features an extensive amount of text, including African sayings, symbols, and a list of African countries. Reproduced here as inscriptions are the text of the plaque, and the quotes from named individuals. The last picture, of the wall with the names of the enslaved people who lived in the President's House, is part of the larger piece and not the Memorial.
* inscription:
"Either America will destroy ignorance or ignorance will destroy the United States." -W.E.B. Du Bois
"I ask no monument proud and high to arrest the gaze of the passers-by, all that my yearning spirit craves, is bury me not in a land of slaves." -Frances Ellen Watkin Harper
"You the Ashanti, the Yoruba, the Kru, bought, sold, stolen, arriving on a nightmare praying for a dream." -Maya Angelou
"We gave sought to bind the chains of slavery on the limbs of the black man, without thinking that at last we should find the other end of that hateful chain about our own necks." -Frederick Douglass
"It was whispered by slaves and abolitionists as they blazed a trail toward freedom... yes we can, yes we can." -Barack Obama
This enclosed space is dedicated to millions of men, women, and children of African descent who lived, worked, and died as enslaved people in the United States of America. They should never again be forgotten. One of two smokehouse rooms in which three enslaved men slept - Giles, Paris, and Austin - once stood in this area. The close proximity to the Liberty Bell Center reminds us that Liberty was not originally intended for all.
It is difficult to understand how men who spoke so passionately of liberty and freedom were unable to see the contradiction, the injustice, and the immorality of their actions. Enslaved Africans and their descendants endured brutality and mistreatment for over 200 years even as their labor build and enriched the nation. The struggle for freedom and political, social, and economic equality continued even after the legal standing of slavery. The devestating effects of slavery continue to affect race relations to this day. Yet, we must continue to strive for the ideals embodied in the Declaration of Independence and the Constitution of the United States of America.
The African symbols, words, and quotations on the exterior and interior walls speak to the spirit of hope, the resiliance of the human spirit, and the determination of a people to arise out of bondage to freedom.
City of Philadelphia | National Park Service
* Southeast corner, 6th and Market.
* 39.950300,-75.150050 [map] [nearby]
* On the Independence Mall tour
* Exhibits: Black Lives, Labor
* See also:
+associationforpublicart.org's page for this piece
+hiddencityphila.org article about the controversy and history of this piece
+phillytrib.com review of a book about this piece
+associationforpublicart.org's rememberance of Emanual Kelly
+temple.edu's rememberance of Emanual Kelly
+wikipedia.org's Maya Angelou page
+wikipedia.org's Frederick Douglass page
+wikipedia.org's W.E.B. Du Bois page
+wikipedia.org's Frances Ellen Watkins Harper page
+wikipedia.org's Barack Obama page