Alligators and Crocodiles
|
The Washington Monument
Rudolf Siemering,
1897
* Monument to George Washington
* big
fountains,
groups of people,
standing people,
sitting and reclining people,
alligator,
bears,
birds,
bison and oxen,
elk and moose,
fish,
horse,
snake,
plants,
shells,
weapons,
drum,
net,
hats
* Restoration of this astoundingly complex and detailed monument was completed in June of 1997.
* West end of Eakins Oval.
Parkway at 24th.
* On the Parkway tour.
* See also:
+phillyhistory.org 1910 picture of this piece
+phillyhistory.org 1959 picture of this piece
+Featured in The Sixth Sense
+wikipedia.org's George Washington page
|
|
Ruth and Raymond G. Perelman Building
Lee Lawrie,
1926 - 1927
* Building renamed in honor of Raymond G. Perelman
and
Ruth Perelman
* big
people
standing
sitting,
furniture,
weapons,
kite,
ships,
tools and machines,
dogs,
horses,
alligators,
elephants,
owls,
squirrels,
buildings,
trains,
plants,
symbols and words
* Originally an insurance building. Donated to the Art Museum by the Perelmans. The pictures here are only a representative sampling of the art.
* inscription:
Pennsylvania side:
In the honor and perpetuity of the family is founded the state. In the nobler life of the household is the nobler life of mankind.
26th side:
He labors best who loves best : the finest work of a man's life is to open the doors of opportunity to those who depend on him.
* The whole building.
Northwest corner of Fairmount and Pennsylvania.
* On the Parkway tour.
* See also:
+Museum press release about the donation
+philadelphiabuildings.org's page for the building
+Max Buten's picture of one of the reliefs
+Another Max Buten picture of one of the reliefs
+wikipedia.org's Lee Lawrie page
|
The pictures on this site (but not the
artworks in the pictures) are Copyright 1998-2010
Chris Purdom, unless
otherwise noted, and are not to be used for commercial purposes, but are
free for non-commercial use, provided appropriate credit is given.
Information about artists, dates, titles and subjects was gathered from
a variety of sources, including those listed on the
resources page, plus personal inspection of the pieces and, in
some cases, email or telephone conversations with the artists,
representatives of the artists, representatives of the artists' estates,
or personnel at the organizations that purchased or approved the
purchase of the pieces. Chris Purdom believes
that the information provided is as accurate as he can make it, but claims
no ownership of facts. Please contact
Chris with corrections, additions, and/or technical difficulties
|
